Saturday, April 23, 2011

Singing in the Toyota




Singing in the Toyota

By David Etter

I've been booed in the shower,
put down on the patio, ridiculed at the beach,
but when I sing in the car,
I get nothing but approval:
big smiles from the dashboard,
handclaps from the windshield wipers,
cheers from the steering wheel.
Even though I'm no Sinatra,
no Nat King Cole of the tollways,
I can croon along on every song
the Delco radio serves up,
and when I get going good
on some old favorite,
like "I've Got You Under My Skin"
or maybe "Answer Me, My Love,"
I start to see my name in lights.
The face in the mirror is mine.
I have a captive audience.
And I can do me better than me.

Friday, April 22, 2011

Sonnet for 6 a.m.



Sonnet for six a.m.

By Colleen Barry


The sheets are white and rising, falling slow
and steady over bodies slack and bent,
our legs like gum. the night is dealt this blow—
how obvious, smooth—the careful breeze and scent
of rain on gutters, pavement, windows bare
and glowing chests undone by dawn are more
like sideways basins, open mouths in air
where tiny balmy sighs are caught, then pour
the shade of blue that deepens under eyes
like breathing—sleepy lover’s breath, ours, now—
it colors arms, the smalls of backs, our thighs,
this morning; softly starts a day with how
the heaped strain of yearning masses sleeps
while, apart, hushed, warm—it seeps.

Thursday, April 21, 2011

What I Believe



What I Believe

by Michael Blumenthal


I believe there is no justice,
but that cottongrass and bunchberry
grow on the mountain.

I believe that a scorpion's sting
will kill a man,
but that his wife will remarry.

I believe that, the older we get,
the weaker the body,
but the stronger the soul.

I believe that if you roll over at night
in an empty bed,
the air consoles you.

I believe that no one is spared
the darkness,
and no one gets all of it.

I believe we all drown eventually
in a sea of our making,
but that the land belongs to someone else.

I believe in destiny.
And I believe in free will.

I believe that, when all
the clocks break,
time goes on without them.

And I believe that whatever
pulls us under,
will do so gently.

so as not to disturb anyone,
so as not to interfere
with what we believe in.

Wednesday, April 20, 2011

Roosts




Roosts



By Christian Ward



Everything roosts
in something,

the nesting rain
tells me. Swans

stitch new habitats
out of the river

and reeds, the moon
moves in a sack

of sky. Conversations
huddle in the colour

coded nerves of a pay
phone. My baby son

rests his head against
my chest, the sound

of a bird that has travelled
far echoing in his breathing,

followed by rustling,
as if building shelter.

Tuesday, April 19, 2011

The Art of Disappearing




The Art of Disappearing

By Naomi Shihab Nye



When they say Don't I know you?
say no.

When they invite you to the party
remember what parties are like
before answering.
Someone telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.

If they say We should get together
say why?

It's not that you don't love them anymore.
You're trying to remember something
too important to forget.
Trees. The monastery bell at twilight.
Tell them you have a new project.
It will never be finished.

When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven't seen in ten years
appears at the door,
don't start singing him all your new songs.
You will never catch up.

Walk around feeling like a leaf.
Know you could tumble any second.
Then decide what to do with your time.

Monday, April 18, 2011

Beans and Franks


Beans and Franks

by Donald Hall


When Newberry's closed
in Franklin, New Hampshire—homely lime front
on Main Street, among the closed
storefronts of this mill town depressed
since nineteen twenty-nine;
with its lunch counter for beans and franks
and coleslaw; with its
bins of peanuts, counters of acrylic,
hair nets, underwear, workshirts,
marbled notebooks, Bic pens, plastic
toys, and cheap sneakers;
where Marjorie worked ten years at the iron
cash register, Alcibide
Monbouquet pushed a broom at night.
and Mr. Smith managed—
we learned that a man from Beverly
Hills owned it, who never saw
the streets of Franklin, New Hampshire,
and drew with a well-groomed hand
a line through "Franklin, New Hampshire."

Sunday, April 17, 2011

Prayer Chain




Prayer Chain



by Tim Nolan

My mother called to tell me
about an old classmate of mine who

was dying on the parish prayer chain—
or was very sick—or destitute—

or it had not worked out—the marriage—
or the kids were all on drugs—and

all the old mothers were praying intensely
for all the pain of their children

and for life—they were praying for life—
in their quiet rooms—sipping decaf coffee—

I bet they've been praying for me at times—
so I'll find my way—so I won't rob a bank—

I'll take them—the mystical prayers of old mothers—
it matters—all this patient and purposeful love.

Saturday, April 16, 2011

My Mother's Address Book





MY MOTHER'S ADDRESS BOOK


By Lyn Lifshin


With rubber bands
flecked with powder,
slack as the face of
a child who won't
eat. Almost half
the names crossed
out with a line,
Buzzy, darkened over
with a pencil, as if there
was a rush like some
one throwing a dead
relative's shoes and
wool dresses toward
the Salvation Army
baskets, someone
catching a train,
breathlessly, the
graphite black as
shining freight.

Friday, April 15, 2011

Are These My People?




Are These My People?

By Carl Mayfield

Sitting around the kitchen table,
legs crossed, listening to look-alike foreheads
remember how the tornado
forgot to kill them:


Yes we are going to the cellar again
so wipe that look off your face
and I don't want no heathen backtalk



Are these my people?
Yes, in both name and deed,
even though I drink store-bought whiskey.
We pass a cowlick around the table,
grin like fools on holiday,
our hearts circling unremarkable moons.

Thursday, April 14, 2011

The Drowning




The Drowning

By Alexis Orgera

He came home to us one afternoon,
came sopping wet and blue-lipped,
hugged the dog so hard
we couldn't pry them apart.
This is what my brother told us:

“When you die a port-wine stain lodges
behind your right eye like a migraine.
Your fingers are electric, lungs exploding stars.
And on the way down I saw Uncle Max floating by.”

Then my brother was quiet for an age
while we teetered on the living room couch
hoping he'd been given some special truth,
something to change us. When he spoke again,
my brother's eyes were buffed canaries.

“So when your body washes up,
it's on a beach with no shoreline.
Everyone's naked, saying, ‘Look how familiar this place is.’”
But my brother swore it resembled nothing.

He said, “Everyone just sits around with their eyes closed,
cross-legged, and they bask in grayness
while pieces of their bodies fall off•
First small parts. Toenails and earlobes.
Then hands and feet until all that's left is nubs

jabbing the sand. And there's music playing
high up on a black cliff of sky.
It's not like our music, “he said,

“but as if the whole world is a crying woman
who can't get out of whatever fix she's in.”

Then my brother fell asleep, arms around the dog.
And there we were, wondering while he slept
if my brother was a ghost or a superhero
or if he’s merely stumbled into some dumb luck
that would dote on him the rest of his life.

Wednesday, April 13, 2011

Praise Them



Praise Them


By Li-Young Lee

The birds don't alter space.
They reveal it. The sky
never fills with any
leftover flying. They leave
nothing to trace. It is our own
astonishment collects
in chill air. Be glad.
They equal their due
moment never begging,
and enter ours
without parting day. See
how three birds in a winter tree
make the tree barer.
Two fly away, and new rooms
open in December.
Give up what you guessed
about a whirring heart, the little
beaks and claws, their constant hunger.
We're the nervous ones.
If even one of our violent number
could be gentle
long enough that one of them
found it safe inside
our finally untroubled and untroubling gaze,
who wouldn't hear
what singing completes us?

Tuesday, April 12, 2011

Night Life




Night Life

By Wilda Morris



Here it’s not nursery toys
that come alive in the night
but clothes in the closet.
Your coveralls and my denim jacket
leap through the window
to rock on the porch swing.
They sidle over to the garden,
take nips from a bright red tomato
before joining neighbors
in a square dance.

One of your brown leather boots
gives a playful kick to my sneakers
which string along.
Didn’t you notice those footprints
leading out to the pasture?
All their eyes look skyward,
finding Cassiopeia’s Chair.
If the inside of your shoe is damp
in the morning, it may be milk
spilled from the Little Dipper.

Your Sunday suit slides
off the hanger, offers an arm
to my flowered silk dress
with the white lace collar.
They dine formally on prime rib
and baked potato, using our silver,
then waltz through the house.
Listen! Don’t you hear
the echo of Strauss?

Monday, April 11, 2011

American Gothic




American Gothic

By Michelle Boisseau

A child started to cough and didn't last
the night. Lightning razed the barn.
The gate rotted and livestock trampled
the mustard greens. In the hallways
of rooming houses they waited their turn

for the bathtub. May I put on a light?
Pass the potatoes, please.
When our great-grandparents, the merchants,
posed at their dry-goods counters
in darned stockings and remarkable mustaches,

it hadn't been invented yet. Sure, the sisters
in the kitchen laughed till they cried,
their raw hands clutching at each other,
when the rooster perched on the parlor window
to accompany Aunt Florence in a hymn,

but their smiles floated in the moment,
mild lightning bugs, not lightning
we would learn to aim with camera,
lipstick, and dentistry. In Collier's
a tidal wave of hair, coy tilt of the head

and there it was, the Great American Smile
with a Coca-Cola. Before long the President
was walking softly, carrying a big smile.
When you're smiling, let your smile
be your umbrella, chorus lines of teeth relayed

at the Picture Show, the mascot, a cheery mouse
who sang in a tin can. Around classrooms
teachers hung big grins of construction paper:
Dare to Dream. Reach for the Stars.
Roll out the big plans for this town. Big trucks,

big backhoes forging piles of yellow clay
with snappy signage. Our greatness,
began the Senator, our greatness. He
pushed up his sleeves at a stack of pancakes
and launched a grin like a rocket ship

and jets blinked across the sky. Rain fell.
Snow covered the roads and wind worked the fields
where once in a while a farmhouse crouched,
creaking and sighing, thin windows whistling
as someone looked out, provident and hardy.