Fields

Fields
by Faith Shearin

For Henry and Irene Spruill

My great grandfather had some fields in North Carolina
and he willed those fields to his sons and his sons
willed them to their sons so there is a two-hundred-year-old
farm house on that land where several generations
of my family fried chicken and laughed and hung

their laundry beneath the trees. There are things you
know when your family has lived close to the earth:
things that make magic seem likely. Dig a hole on the new
of the moon and you will have dirt to throw away
but dig one on the old of the moon and you won't have

enough to fill it back up again: I learned this trick
in the backyard of childhood with my hands. If you know
the way the moon pulls at everything then you can feel
it on the streets of a city where you cannot see the sky.
My mother says the moon is like a man: it changes

its mind every eight days and you plant nothing
until its risen full and high. If you plant corn when
the signs are in the heart you will get black spots
in your grain and if you meet a lover when the
signs are in the feet he will never take you dancing.

When the signs are in the bowels you must not plant
or your seed will rot and if you want to make a baby
you must undress under earth or water. I am the one
in the post office who buys stamps when the signs
are in the air so my mail will learn to fly. I stand in my

front yard, in the suburbs, and wish for luck and
money on the new of the moon when there
are many black nights. I may walk the streets
of this century and make my living in an office
but my blood is old farming blood and my true

self is underground like a potato. At the opera
I will think of rainfall and vines. In my dreams
all my corn may grow short but the ears will be
full. If you kiss my forehead on a dark moon
in March I may disappear—but do not be afraid—
I have taken root in my grandfather's
fields: I am hanging my laundry beneath his trees

Winter Stars

LARRY LEVIS

Winter Stars

My father once broke a man’s hand
Over the exhaust pipe of a John Deere tractor. The man,
Ruben Vasquez, wanted to kill his own father
With a sharpened fruit knife, and he held
The curved tip of it, lightly, between his first
Two fingers, so it could slash
Horizontally, & with surprising grace,
Across a throat. It was like a glinting beak in a hand,
And, for a moment, the light held still
On those vines. When it was over,
My father simply went in & ate lunch, & then, as always,
Lay alone in the dark, listening to music.
He never mentioned it.

I never understood how anyone could risk his life,
Then listen to Vivaldi.

Sometimes, I go out into this yard at night,
And stare through the wet branches of an oak
In winter, & realize I am looking at the stars
Again. A thin haze of them, shining
And persisting.

It used to make me feel lighter, looking up at them.
In California, that light was closer.
In a California no one will ever see again,
My father is beginning to die. Something
Inside him is slowly taking back
Every word it ever gave him.
Now, if we try to talk, I watch my father
Search for a lost syllable as if it might
Solve everything, & though he can’t remember, now,
The word for it, he is ashamed…
If you can think of the mind as a place continually
Visited, a whole city placed behind
The eyes, & shining, I can imagine, now, its end—
As when the lights go off, one by one,
In a hotel at night, until at last
All of the travelers will be asleep, or until
Even the thin glow from the lobby is a kind
Of sleep; & while the woman behind the desk
Is applying more lacquer to her nails,
You can almost believe that elevator,
As it ascends, must open upon starlight.

I stand out on the street, & do not go in.
That was our agreement, at my birth.

And for years I believed
That what went unsaid between us became empty,
And pure, like starlight, & that it persisted.

I got it all wrong.
I wound up believing in words the way a scientist
Believes in carbon, after death.

Tonight, I’m talking to you, father, although
It is quiet here in the Midwest, where a small wind,
The size of a wrist, wakes the cold again—
Which may be all that’s left of you & me.

When I left home at seventeen, I left for good.

That pale haze of stars goes on & on,
Like laughter that has found a final, silent shape
On a black sky. It means everything
It cannot say. Look, it’s empty out there, & cold.
Cold enough to reconcile
Even a father, even a son.

After the Election

Mending Wall by Robert Frost

Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

have come after them and made repair

Where they have left not one stone on a stone,

But they would have the rabbit out of hiding,

To please the yelping dogs.

The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbour know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

“Stay where you are until our backs are turned!”

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side.

It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, “Good fences make good neighbours.”

Spring is the mischief in me, and I wonderIf I could put a notion in his head:

“Why do they make good neighbours?

Isn’t itWhere there are cows?

But here there are no cows.

Before I built a wall I’d ask to know

What I was walling in or walling out,

And to whom I was like to give offence.

Something there is that doesn’t love a wall,

That wants it down.”

I could say “Elves” to him,

But it’s not elves exactly,

and I’d ratherHe said it for himself.

I see him thereBringing a stone grasped firmly by the topIn each hand,

like an old-stone savage armed.

He moves in darkness as it seems to me,Not of woods only and the shade of trees.

He will not go behind his father’s saying,

And he likes having thought of it so well

He says again, “Good fences make good neighbours.”